NeSpoon Polska: Lace Street Arton BehanceWarsaw-based artist NeSpoon uses ornate lace patterns in her unique brand of street art that translates into ceramics, stencils, paintings, and crocheted webbing installed in public spaces. NeSpoon refers to her art as “public jewelry,” specifically as an act of beautification by turning abandoned and unadorned spaces into something aesthetically pleasing. You can see much more over Warsaw-based artist NeSpoon uses ornate lace patterns in her unique brand of street art that translates into ceramics, stencils, paintings, and crocheted webbing installed in public spaces. NeSpoon refers to her art as “public jewelry,” specifically as an act of beautification by turning abandoned and unadorned spaces into something aesthetically pleasing.
is an American painter. She studied Painting at Savannah College of Art and Design in Savannah.
Virginia Broersma’s work explores the concept of allure in terms of the human form. Built of rough and loose marks that congeal into something very precise, her paintings have an intensity that is formed not only from the image, but from the action of painting itself. Though it deviates from the human form, her imagery is complicated by associations one may have with the body. She is interested in how even a distant representation of a person can be conflated with measurements of perfection, beauty and the ideal.
Jim Dingilian proves that a creative and skillful artist can create works of art with just about anything. By coating the interior of empty glass bottles with black smoke and then carefully brushing it away with tools mounted on dowels, he creates detailed and beautiful but dark works of smoke art that are dripping with a sense of suburban decay (via Bored Panda).
#Watson #Falls #Oregon #OnTheTrail #Art (at Watson Falls)
Opening this Saturday, July 5th at Hashimoto Contemporary in San Francisco, California is artist Erik Jones (Interviewed) very anticipated solo show, “Motion.” Featuring a multitude of brand new portraits in Jones’s signature, colorful style. Jones looks at his works as conceptual fashion design where the color becomes the clothing. As Erik put it when I interviewed him, “The viewer is capturing a random moment where the forms are consuming the figure. Not in an aggressive or obtrusive way but more like wearing clothes that are alive. Clothes that revere you, they breathe with you.”
Erik’s work is expected to sell quickly - if you’re interested in purchasing a piece please contact Megan at firstname.lastname@example.org.
Michael E. Bennett